Broadway · Inclusion · Interview · The Human Connection · Wise Words

Everybody’s Got A Dream: A Conversation With Matthew Scott Creative Education Director of Broadway Dreams

If you had asked me what my dream was when I was younger, my answer would have been to perform—a total no-brainer. I was hooked on performing for others and bringing smiles to their faces with something I could do. I found a way to channel that into the helping profession of speech pathology. For my students, the answer is very similar. Almost all of them want to perform in some capacity, they’re just not sure how to get there. While some are interested in doing school productions or youth theatre organizations local to us, others want more than that. Enter Broadway Dreams, a not-for-profit organization that specializes in holding masterclasses in singing, dancing, and acting. I got to talk to their Creative Education Director, Matthew Scott, to learn more about his love for performing and arts education, this organization, and how it all works. Scott has worked on Broadway and touring productions of An American In Paris, Jersey Boys, Sondheim on Sondheim, and First You Dream.

Stef: What got you interested in performing?

Matthew Scott: I grew up just outside of NYC and started seeing shows and concerts when I was a kid. My mom always played music in the house and I started taking voice lessons around the time I was 11.

S: What is Broadway Dreams?

M: We are a not-for-profit Arts Organization that provides training and mentorship. We are currently active in ten cities in the US and six partner countries. We specialize in weeklong intensives and performance opportunities. We bring Broadway professionals (directors, choreographers, musical directors, actors) to your city, teach master classes and at the end of the week, we write and perform a show.

S: How did it get started?

M: Fourteen years ago, Annette Tanner, the executive director and founder of Broadway Dreams started the organization with one weeklong program in Atlanta, GA. It grew from there.

S: What are the different programs within the organization?

M: Aside from our weeklong intensive programming which takes place predominantly in the summertime, we offer additional programming throughout the year in the form of Triple Threat Extremes, College Prep Classes, and Broadway Boosts. More info can be found on our website www.broadwaydreams.org

S: Are there age restrictions at Broadway Dreams?

M: The wonderful thing about Broadway Dreams is we do not have an age cap. You are never too old to dream!

S: How do students get involved?

M: They often find information online or by following our talented faculty on social media. But word of mouth is a big part of it too, and we have students who have been with us for over a decade now.

S: What sort of students get involved with the programs? Is it for students who are thinking of musical theatre as a profession, or can classes be taken for fun?

M: It is for anyone who has a dream. Many of our students go on to be professional performers, but many others pursue parallel careers in the arts, or become teachers, or stage managers. No matter what, they leave our program with a better sense of self. I will say this, our students are FIERCE, talented, and yes competitive. This is a serious program and a great opportunity for those who are serious about a career in the arts.

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S: How does a school or organization connect with Broadway Dreams?

M: They can reach out on our website.

S: Why do you think the arts are an important component of education?

M: It’s all about teaching empathy, acceptance, tolerance, and music and theater do that. It is healing and all children should be able to express themselves through art.

S: Some of my students feel it’s easier to play a character than it is to be themself. Do you find this to be true for you?

M: There is much truth in that statement. And yet, what your students may not realize…just yet, is that they will always bring a part of themselves to any character they play. Even the characters who are not redeemable, and do not deserve the sympathy of the audience deserve the sympathy of the actors who play them. Therefore, you must always seek to find redemption in any character you play. And often times, that means looking inward and bringing your own personal experiences to the role.

S: How do you select the teachers for your classes?

M: Often times I just reach out to my exceptionally talented friends, people I’ve worked with or long admired. The criteria for our faculty are that they be a great teacher and successful in their field. Also, they have to be a good person.

S: During your career, is there advice you’ve received that has changed how you perform? Is there any advice you’d share with kids/teens who are currently performing in school?

M: Keep going. Keep singing, and dancing. See as much as you can. Read. Go to the theatre. Listen to cast albums. Be informed and start to figure out who you really are. It’s like a moving target that is constantly changing, so keep pursuing your goals and it will reveal itself to you.

S: Every week I challenge my students to do something outside of their comfort zone, what would you challenge them to do? 

M: If you are not a dancer, go to dance class. Not a singer, go do Karaoke, and take voice lessons. Write. Create. Dream.
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I can’t thank Matt enough for his time and insight into Broadway Dreams. I have been aware of them since I attended BroadwayCon 2017, and can’t believe it took me this long to dig deeper into their philosophies and programs. I strongly encourage all of my readers to go explore their website and see if they find anything that suits them, I know some of my students have already started exploring. You can find more information at BroadwayDreams.org, @Bway_dreams on Twitter, and @mybroadwaydreams on Instagram. You can follow Matthew Scott at @thematt_scott on Twitter and @fattymattyfresh on Instagram.

 

Keep playing with words and see what your message creates!
–Stef the StageSLP

Broadway · Performances · The Human Connection

Spectacular, Spectacular! My Review of Moulin Rouge! The Musical

The opulence is overwhelming. The beauty is bedazzling. The freedom feels like fireworks. The truth is terrific. The love is lavish. Moulin Rouge! is a must-see event.

From the second you walk into the theatre, you are completely enveloped in the ambiance of the Moulin Rouge. If you think you know this show because you saw the 2001 movie, think again. Nothing can prepare you for what you, dear audience member, are about to experience.

From beginning to end, the set dazzles, the choreography intrigues,  the acting amazes, and the singing captivates. There are crowd favorites and new surprises across all creative choices that could only be done in such a stage production. This is a magical world you’ve entered, full of extravagance encapsulated by Karen Olivo, the ensemble, and Danny Burstein, with desire personified in Aaron Tveit’s and Tam Mutu’s performances respectively. Sonya Tayeh has truly outdone herself with the choreography, which soars and inspires to the point where you want to get up and dance (I must admit, I danced in my seat the whole show). I smiled ear to ear from the second I entered the theatre and I’m fairly certain I fell asleep with that same smile on my face when I fell asleep that  night.  I can’t encourage everyone to go see this production enough! It’s timely and touching, entertaining and endearing, heartbreaking and heartwarming.  Tickets are available here.

As we all know from the film, the beautiful, idealistic Bohemians of the revolution believe in the foundational truths of freedom, beauty, truth and love. This week, I challenge you to determine what your own fundamental beliefs are. They can be words, phrases, or anything you like. Share them in comments and see how you can practice these beliefs in your day to day life.

Keep playing with words and see what your message creates!
–Stef the StageSLP

Backstage · Broadway · Inclusion · Performances · The Human Connection · Tony Awards

I Am What I Am: Tony Awards Musings

In my speech room, I ask all of my students to strive for their best. I do my best to teach them it’s not about winning, but about how you show up and put in the work. I believe that this is also the case for theatre. With the Tony Awards only a week away, I can’t help but think that it’s us, the audience members, who are the real winners.

Every individual involved in theatre, onstage, backstage, production, front of house is doing an amazing job every night to make sure the audience has the best experience possible. It’s easy to forget that those roles are in fact work and are by no means easy.

This is a world in which we escape into theatre to find ourselves. No award adequately expresses the magic found in a theatre. It can’t express the memories, emotions, or connections felt in that space. So as the Tony Awards air on television next Sunday, which I will certainly be watching, keep in mind there are more “losers” than “winners,” and it’s the theatre-goers who are the true winners. Theatre is designed to bring community together, and I challenge you all to keep that in mind as awards are handed out. How will you bring community together in your own way? Share in comments, I can’t wait to read them.

Keep playing with words and see what your message creates!
–Stef the StageSLP

Broadway · Interview · The Human Connection

Astonishing: A Celebration of Women in the Creative Space

March is Women’s History Month, and we have plenty to celebrate. March 29th marks our second birthday here at Speech To Stage. My lessons this month have had to do with women from a variety of backgrounds and showcasing a myriad of accomplishments. My students and I have learned more than we expected, and I got asked why women only get a month. I don’t have that answer, but in my speech room and in my world, women get celebrated every day. Today, I’m taking the time to celebrate every woman who has been generous enough to share her words with me. In order of appearance, I would like to showcase the women I’ve interviewed.

  • Gillian Pensavalle
    When this blog was just an idea, Gillian was the first person I reached out to. Gillian had already jumped into the deep end of the pool with her podcast, The Hamilcast, and I am a HUGE fan. She is a true self-starter who learns on her feet and is open to whatever gets thrown at her. It has been so exciting to watch her podcasting evolve.
  • Laurie Berkner
    Laurie Berkner creates the BEST children’s music my speech room has ever heard. Any song can be turned into a lesson, and I enjoy them as much as my kids do. They inspire creative questions and conversations among my students. Thank you for your creativity!
  • Margo Seibert
    Margo was someone I knew I wanted to talk to right away. With her work with weracket.com, beautiful solo music, and Broadway career, I knew I had to know her journey from beginning to present. She has a beautiful presence about her, and insight I’m forever grateful she shared with me. Already looking forward to the next time I get to see her perform.
  • Karla Garcia
    As a dancer, I was so excited to speak with Karla. She has such a unique, sophisticated style to her work. Currently in the Broadway cast of Hamilton, she teaches at Broadway Dance Center and has her choreography in different projects. If you ever get the opportunity to learn from her, DO IT! Her energy is contagious and you will have the time of your life.
  • Susan Egan
    Broadway’s first Disney princess. I still can’t believe I had the pleasure of this conversation. I remember learning so much and being able to give my students so much to work with right after this conversation took place. If she is coming to a Broadway Princess Party near you, go. Susan is truly a delightful human.
  • Jessica Lee Goldyn
    Jessica caught my eye back in the Broadway revival of A Chorus Line. I couldn’t take my eyes off of her. A few years later, and the same held true in Tuck Everlasting. Getting to hear about her dance journey and how she takes care of herself was a real treat for me and my kiddos.
  • Sarah Charles Lewis
    This young lady is a triple threat. Just a glance at her social media, and she is always dancing, singing, acting or all three. Sarah shone as Winnie Foster in Tuck Everlasting. An incredibly talented individual, I look forward to seeing her perform again someday.
  • Arielle Jacobs
    When I spoke to Arielle, she was starring in In The Heights at Virginia Repertory Theater, which Karla Garcia was choreographing. She is currently representing royalty as Princess Jasmine in Aladdin on Broadway. She has such a sunny outlook on life and is such a lovely human to speak with. My students found her words and advice really grounding and inspiring.
  • Laura Heywood
    I have followed Laura through many of her Broadway-related endeavors. I’m certain all of you know her as BroadwayGirlNYC. She is always filling my timeline with uplifting and hopeful words and thoughts. She is now back on the radio with her own interview show. Be sure to check her out!
  • Nava Silton of Addy and Uno
    Nava may be my personal hero. She found a way to take the arts and the special education community and merge them into a child friendly teaching tool and off-Broadway show! I swear by her teaching tools and have recommended them to many other educators. I firmly believe everyone needs to see this show and learn more about her work in educating others.
  • Lynn Ahrens
    Lynn Ahrens has written so much that has made me feel every possible emotion. She helped shape my childhood with Anastasia and School House Rock, and is now working on a show I adore, Marie Dancing Still. Her advice for the writing process truly changed how some of my students approach their writing assignments and feel they understand it better having heard her perspective. My students and I are so grateful for her words and her work.
  • Andrea Koehler of Coloring Broadway
    If I could give an award for most supportive human, it would go to Andrea. She shows so much support for me and for everyone involved in the Broadway Makers Alliance. Mastermind behind Coloring Broadway and The Coloring Project, she found a way for Broadway fans to make Broadway lyrics their own with coloring pages. Each page has its own mindfulness activity to go along with it, and I am OBSESSED with this product. I think I own every coloring set.
  • Kimmie Mark
    Everyone needs a Kimmie in their lives. Gillian started this saying, and she was right. She is the dresser for both George Washington and Aaron Burr for the Broadway cast of Hamilton. She is a hero for all, including the animals! She does incredible raffles benefitting the New Jersey Freedom Farm on her Instagram account, @dunkinscout
  • Stephanie Klemons
    This amazing human is superwoman. While fulfilling her job as associate choreographer for all of the Hamilton casts, she has made her directorial debut, added her choreography to other productions and is running an amazing organization, Katie’s Art Project. Everyone should be supporting this. This was such an inspiring conversation, and my students and I really took her words on work ethic to heart.
  • Liz Schwarzwalder and Mindy Swidler of Petite Seat
    Liz and Mindy are doing amazing work. Not everyone can provide a family perspective on theatrical experiences! They think of everything a family might need to know from show content to stroller parking. They keep their followers in the know on so many shows. I know my parents certainly appreciate their work, and I appreciate the fact that they’re bringing family and the arts together.
  • Lesli Margherita
    All hail the Queen. Her message of being yourself is so powerful, and one I need to hear often. My students love her positivity and her comedy, but I love her perspective of being in control of who you are and owning it. She is truly a star that shines from the inside out, and encourages everyone else to do the same.
  • Heidi Blickenstaff
    My conversation with Heidi was so much fun. She has originated these amazingly strong and vulnerable characters through her work, as well as made roles her own. She sings one of my (and my students’) favorite songs on any OBCR, “Right Hand Man” from Something Rotten! Her push to explore your town has really helped change and shape the way my students approach the word, “adventure.”

Who are the women in your life that you celebrate? I challenge to make a list of all of the women in your life you celebrate, the impact they’ve had on you, and how you can share that celebration with others.

Keep playing with words and see what your message creates!
–Stef the StageSLP

Broadway · Interview · The Human Connection

A Solid Rock Am I: A Conversation with Heidi Blickenstaff

I’ve discussed many things I’ve learned through theatre on this blog. After all, participating in the theatrical experience in any capacity is bound to teach anyone something new. Today’s guest embodies one of my favorite lessons: Women are strong, smart, multi-faceted people who should never be underestimated. I’ve been fortunate enough to see Heidi Blickenstaff play Heidi in [Title of Show], Bea in Something Rotten, and Katherine in Disney’s Freaky Friday in an out-of-town production, and every time I am blown away by her performance and excited by the idea that young girls especially, but women everywhere get to see this particular version of strength and power. We talked about playing all the roles mentioned above, how she got into theatre, and what it was like taking a stage production and turning it into a musical. Let’s jump in!

Stef the StageSLP: How did you become interested in theatre?

Heidi Blickenstaff: When I was six, my mom took me to our local dinner theater and we saw a production of Oklahoma! I knew nothing about it beforehand. There was a little girl in it a bit older than me, and up until then, I was only obsessed with movie musicals, especially Singin’ in the Rain. I didn’t know you could do this live, and that was it. I wanted to do that. My parents are the most supportive, wonderful parents, and had no idea what to do with me—they were mostly into sports. We found out I had to be seven to audition for the shows, and I auditioned the next year for their youth company. I sang “Maybe” from Annie, and I was absolutely terrified. The artistic director asked my mom where my voice came from, and suggested that I take voice lessons and come back in six months. I did, and the rest is history. I got a huge musical theatre education with them. I also went to a performing arts high school and was kind of insatiable. I knew I wanted to be on Broadway the second I found out there was a Broadway. I went to college and got my degree in drama from Duke University, moved to New York and started auditioning. I was very focused and relied on my instincts, because my parents had no idea how to help me other than be completely supportive. It was a lot of on-the-job training, and you never stop learning.

S: That’s awesome to come from such supportive parents without theatre as their primary interest.

H: They were given this child who loved acting and recognized early on that I was a bit of an alien, but that they needed to give me the wings to fly on my own. My mom liked musicals; we had the albums. I could not get enough of them. The way my mom tells it, I was harmonizing with Barbra Streisand when I was two. They must’ve thought, “She’s a weirdo, but we’re going to nurture this talent and interest and find her other weirdos like her to continue to grow this interest.” And I’m so grateful for that in them.

S: My students have all seen Freaky Friday, some on stage, all of them through the Disney Channel. What’s it like to adapt a stage production to a movie?

H: I had a lot of feelings of gratitude for this. When we were building the theatrical version, the creative team was incredibly collaborative. It was built on what Emma Hunton and I could do, and our input was very much a part of the process of building the show. I love collaborating and being in a room where my creative ideas are valued and heard, and we’re very proud of what we made. I’m so glad that the theatrical version is out in the world for people to do.

When I was asked to do the film, I was utterly shocked. I was the only act held over from the stage production to the film. I didn’t even have expectations of being cast. I was brought back for readings to help cast the other actors, but I never thought I would be asked to stay. I got to reprise my role on television.

Shooting the movie is an utterly different situation from a stage production. The only thing they have in common is that they require actors. I had never been on television before or made a movie before, so this was all new to me, and more learning on my feet. The script drastically changed from a full musical with an intermission to a ninety-minute film. The differences between the stage production and the film revolved a lot around demographic and attention span. The kids watching the movie may not be as invested in a two-minute ballad as a theatre audience is. Every aspect of the movie musical has to drive the plot. All of the changes made gave the final product integrity, and our book writer, Bridget Carpenter, is a total genius and was able to write for both mediums. I was so happy to be a part of both the musical and movie-musical. Every day was a gift, and an experience of a lifetime for sure.

S: What was it like originating Bea in Something Rotten?

H: It was pretty dreamy from start to finish. I got the very unlikely offer to do the role, I didn’t have to audition. I had just worked with Casey Nicholaw on Most Happy Fella, and Kevin McCollum who produced it had produced [Title of Show] and I had a working relationship with him, too. This show had been in development for two and a half years at this point, and labs and workshops had been done. They called me while I was doing Elf at The PaperMill Playhouse, and I couldn’t believe it—it was truly unbelievable. I will never forget that moment.

To be in that room with those comedic geniuses was both amazing and intimidating at the same time. I learned so much about comedy from the cast and creative team. Every day, everyone came ready to work. We all loved that show so much. Bea was written on me, they had rewritten her from previous versions. They really worked with me to figure out what would work for me, and we landed on “Right Hand Man.” From start to finish, the entire ride was totally crazy and I’m so grateful for it. It’s what you dream about. I love Bea so deeply, and of all the characters I’ve played she’s a lot like me, in a lot of ways more than Heidi in [Title of Show].

S: What was it like to create such an empowering female character?

H: Awesome. And to be on that stage in a spotlight, belting about how strong women can be and how capable we are…it doesn’t get much better than that. I am so proud that there is a character that I got to create that has such a strong message for girls and all women that says “We got this.” I remember Kevin McCollum said to me, “When you make a musical, you leave a legacy. You will always be the first Bea. You made her. This will be a part of your legacy.” And girls and boys will hear that song and its message on a cast recording is incredible.

S: Well, I can tell you it is a hit among my students, my family, and myself.

H: Thank you.

S: How on Earth do you sing the songs that you sing while protecting your voice?

H: It gets harder. Freaky Friday is my hardest sing so far. You don’t talk a lot outside of the theatre. You have to protect your voice. You have to stay hydrated and watch what you’re eating. You can’t be in a loud place where you have to shout over everyone else, or your voice will go out.

The way I sing and make sounds is instinctual. I’ve taken a handful of voice lessons, but I’ve never taken formal, individual voice lessons. I teach a lot of master classes but I can’t teach what I do or tell you how I do it. I’m much better teaching acting than singing. I know my limits, I know my voice, and I know how to adjust accordingly. All of that comes with time. We’re born with certain gifts and instincts on how to preserve those gifts. When I’m teaching, I always stress the acting and storytelling. Find the story, then make it sing.

S: What would you say to kids and teens who want to get into theatre?

H: Access really is an epidemic. It’s becoming a luxury instead of common in schools. If you do have access to any kind of class, take it. Like attracts like, so if you can find your way into a dance class or voice class, the other folks in the class will know other things going on in the arts community. Ask people questions and don’t be shy about it. There are online resources now, too. See what’s happening in your community and if you can take advantage of that. Theatre and the arts give you empathy, perspective, and joy. Kids need this, and the arts and all art are so, so important.

S: Every week I challenge my students and readers to do something outside of their comfort zone. What would you challenge them to do?

H: I would encourage them to go do something new within their own city. My family and I have been challenging ourselves to get out of our neighborhood and do something creative and new that we don’t do every week. It’s been an awesome experience to get out of our neighborhood and see more of the city we live in. Take advantage of things in your city that you wouldn’t necessarily do and have a little adventure. Put your phone down. Make a point of unplugging and really being with the people you’re with. It’s amazing what’s around us, right under our noses.
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This was such a fun conversation to be a part of, and I can’t thank Heidi Blickenstaff enough for speaking with me. How exciting is this? There is a [Title of Show] reunion concert on March 11th benefitting The Actor’s Fund! If you can, please go see Heidi in this show. It is a performance you will not want to miss! My students are already reaping the benefits of this conversation, and I’ve designed a project to go along with whatever adventure they choose to take on in their pursuit of Heidi’s challenge. Needless to say, my students have been requesting “Right Hand Man” more frequently, and I’m proud of them for that. I look forward to reading about your adventures in comments.

Keep playing with words and see what your message creates!
–Stef the StageSLP

 

 

 

Broadway · Inclusion · The Human Connection

When I Think of Home: BroadwayCon 2019

I have known for some years now that home is not a place, it’s a feeling. A feeling usually centered around people and experience. For me, it’s getting to do something I love with people I find it easy to be around–no frills. At my third BroadwayCon, this continued to be true. I got to see dear friends and support the art and causes I love. I got to experience community at BroadwayCon, which we know I am ALL about. Allow me to share my experience with you.

I got to reunite with so many of the folks who allow me to interview them and continue to support them. I got to see all of my friends involved in Broadway Makers Alliance,  some of whom are #FriendsOfTheBlog including Andrea Kohler of Coloring Broadway, Mindy and Liz of Petite Seat, and Will Barrios of TatroTatro.  I got to continue to support some of Doug Otero‘s new Intermission Beauty products. I got to cheer on and support Gillian Pensavalle of The Hamilcast and Patrick Hinds, who was the first person I saw ask the questions I wanted asked on his podcasts. All of these folks have been supportive since minute one, and it’s always a joy to connect with them.

I felt insanely grateful to thank so many #FriendsOfTheBlog, Lesli Margherita, James Monroe Iglehart, and Susan Egan. There is nothing more satisfying to me than being able to thank these folks in person. I hope they know how much their time means to me, and that I didn’t look too foolish trying to say so eloquently.

As you can imagine, BroadwayCon is a non-stop experience, so there is a real magic involved in being able to be yourself without being “on” over the course of these three days. As fast-paced as the weekend was, it all felt really natural and completely comfortable. Of course I had my obsessed fan moments with many of the folks there–speaking at panels or walking through the marketplace–but that behavior was not only accepted but expected. And not just by attendees, but the guests at the convention! I’ve said it before and I’ll say it again, theatre people are a very unique, special, wonderful group of people. I made new connections with folks I’ve never met before, and not once did I feel unwelcome or out of place in a room full of people I’ve never met. Who knows, maybe I’ve even met you, dear reader! If not, I certainly hope to do so!

The human connection is strong at BroadwayCon, where any two people can strike up a conversation. This week, I challenge my readers to have an unlikely conversation–a conversation with someone they wouldn’t normally speak with at length, or a conversation on a subject they normally wouldn’t speak on at length. What you learn from new, untapped perspectives can be extremely powerful. Listen, and really hear what’s being said.

Keep playing with words and see what your message creates!
–Stef the StageSLP

Broadway · Performances · The Human Connection

They Say There’s Always Magic In The Air: A Review

Happy New Year to all of my readers! I was fortunate enough to spend the week of winter break in New York City seeing some amazing theatre. I am forever grateful to the cast and crew of all of Broadway who provided entertainment and worked even harder than usual while the audiences attending their shows had a break from their job. This trip, my family and I saw two dramatic plays and two musicals. Why is this a big deal for us? We have never attended a dramatic play before. Comedies, sure, but dramatic plays are new to us. Musicals are our go-to. All of this to say, here are my thoughts on my experiences.

  • American Son
    I saw this play on my own. It has been over a week, and the messages of this playa re still sitting with me. Kerry Washington may have it handled on Scandal, but her performance on television is nothing compared to what she does on stage in ninety minutes. The dynamic between her and Jeremy Jordan, Eugene Lee, and Brian Avers (who was on in the role of Scott) is electric. This is possibly the most powerful piece of theatre I have ever witness. No topic goes undiscussed. No perspective goes unseen. I didn’t know I could hold my breath for ninety minutes, but that’s how I felt by the end of the show. This show should be required viewing for absolutely everyone, and if you can get to the Booth Theatre before the end of this limited run, I urge you to go and witness this for yourself.
  • The Cher Show
    I cannot stop talking about this musical! Holy cannoli! I am one of the biggest Cher fans—I can sing her whole catalog backwards and forwards, and have been to my fair share of concerts as well. The message of the show is so uplifting. The takes on the songs and how they’re used to help the story progress is wonderful. Absolutely nothing can compare to seeing Bob Mackie’s costumes on parade. Stephanie J. Block commanded the stage and embodied Cher in a way that I can’t describe. Christopher Gattelli’s choreography speaks to his strengths, and those of the ensemble as well. I hope to find myself back in this audience again in 2019.
  • The Prom
    I don’t even know where to begin. This is the most inclusive, entertaining, moving show on Broadway. You are rooting for each character from start to finish, eating up Casey Nicholaw’s direction and choreography and Chad Beguelin’s book. Beth Leavel is a force to be reckoned with, as are Caitlin Kinnunen and Brooks Ashmanskas. The way the story moves from heavier subject matter to joy with jokes, production numbers, and honest, heartfelt performances is truly something to behold.
  • To Kill A Mockingbird
    I will not be able to adequately express my love and appreciation for this show. Jeff Daniels as Atticus Finch, Gideon Glick as Dill, and Celia Keenan Bolger as Scout in Aaron Sorkin’s adaptation of the beloved classic (and favorite of mine). It was an honor to watch this adaptation, and I felt it truly honored the book, its message, and managed to increase its verbiage to become even timelier. There are definitive stamps of Sorkin’s work throughout, with jokes and moments of levity throughout the play. Every actor seemed as though they were born to play these roles in this iteration of such a revered text. My entire family, some of whom were skeptical about enjoying a dramatic play, enjoyed this show the most out of the four we’d seen. While tickets are hard to get, if you can get them for the foreseeable future, you will not regret spending time in the theatre with this production.

It goes without saying that I enjoyed every show, for different reasons. Each offered me new perspectives, new experiences, and new appreciation for my favorite art form. With this, I challenge my readers to consume a new form of media that you’re skeptical of, for whatever reason. See where it takes you, and what you gain from it. I look forward to your comments.

Keep playing with words and see what your message creates!
–Stef the StageSLP