Sorry for the late post. It’s been a bit of a week, with computer failure and beginning Quarter Three of our school year. Now that my computer is up and running, we have to talk about the most moving, timely, powerful production I’ve seen since American Son (if you missed the theatrical run, go check it out on Netflix). Last night, I had the opportunity to see a production of Miss You Like Hell at Olney Theater Center with my mother.
Image from CultureCapital.com
This production is incredible to witness. It truly dives into the complexities of mother-daughter relationships, immigration issues, passing down one’s culture to the next generation and so much more. Olney Theater Center’s description says it best:
“From the Pulitzer Prize-winning co-creator of In the Heights comes a new musical as big as America and as intimate as love between a mother and her daughter. Beatriz arrives in Philadelphia to convince her estranged 16 year-old daughter Olivia to join her on a road trip to California. Along the way, they encounter a mosaic of characters as diverse and weird as America itself, but the hard truth of Beatriz’s undocumented status and pending deportation to Mexico threatens to build a wall between them. With sharp comedy and a winning acoustic score by folk-rock star Erin McKeown, Miss You Like Hell is an American story for our time.”
The book and score by Quiara Alegria Hudes and music and lyrics by Erin McKeown has everything. It is moving, funny, relatable, and heartbreaking all at once. Many times during the show, my mother shot me some sideways glances during many a universal mother-daughter interaction being portrayed onstage. My mother also decided that her new favorite song is “Mothers,” a song about everything a mother does for her children. Erin McKeown’s music is perfectly suited to every scene, underscoring moments of comedic relief and deep emotional conversations.
This show did well to remind me of my luck and privilege. My parents are still married, I was raised in the United States, as were my parents and their parents. Many of the stressors and hardships in this production are things I have never had to experience, or even think of experiencing. It gave me some perspective about others in our country who do not have this luxury. It informs the audience to treat every interaction with any other human being as valid and valuable. As we see culture passed down in a varietty of ways through generations, it inspired conversations between my mother and I to talk about our traditions and our memories together. This show moved us in ways we weren’t expecting, but thoroughly appreciated. As we left the theater with many mother-daughter duos among other patrons, we heard mothers telling daughters to appreciate their mothers and love their mothers, regardless of age, background, culture, or relationship. To hear so many conversations about family and its importance was fortifying and comforting in many ways I didn’t expect.
While this show is only at Olney Theater Center from January 29th-March 1st, I cannot encourage everyone to go see this show enough.
This week, I challenge my readers and students to write a list of what they are grateful for regarding their family and lifestyle–this could be time in the car together on the way to soccer practice or family dinners together every night. Do this as a family, and compare them at the end of the week. Find the commonalities and look for ways to incorporate these events and activities into a more regular schedule.
Keep playing with words and see what your message creates!
–Stef the StageSLP